The Artist Process

My Creation Process

Creating a portrait in acrylic involves a structured but creatively flexible process. Here’s a step-by-step guide to the typical process of making an acrylic portrait, whether you’re painting from a live subject or a photo reference:

Composition Sketch
Lightly draw the portrait outline using:Pencil, charcoal, or a thinned acrylic paint.
Refine the Sketch
Use watered-down acrylics to keep it light and fast-drying. You can just us a softer pencel to darken the sketch.
Set the Background
Blocking in Colors Start with large shapes and general skin tones. Add more precise shading and adjust color temperature.
Block in The Forground
The order of work should always be background, middel ground, and then forgroung.
Working the Details
Finishing Touches are the fun part this is where I always get excited.
Finish and Details
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Acrylic Portrait Painting Process

1. Preparation

  • Gather Materials:

  • Canvas or acrylic paper however I work on canvas and strecthed on gallery frame for the best product.
  • Brushes (variety of sizes, especially round and flat) Don’t spend a lot on brushes in the beginning if you just starting.
  • Palette & palette knife; I use a paper palette most of the time but I really like the Masterson Artist Palette.
  • Water container, rags/paper towels
  • Easel (optional but useful) Jecck this link out for a really good easel.MEEDEN Movable Large H-Frame Painting Easel
  • Acrylic paints (primary colors, skin tones, white, black) Make sure to keep a clear and detailed list of the color names.

  • Reference:

  • Use a high-resolution photo or observe a live subject.
  • Ensure the lighting in your reference clearly shows the planes of the face.

2. Sketching

  • Lightly draw the portrait outline using:

  • Pencil, charcoal, or a thinned acrylic paint.

  • Focus on major features (eyes, nose, mouth, hairline).

  • Use basic proportions and geometry to map the face accurately.


3. Underpainting (Optional)

  • Block in general values using a single color (often burnt sienna or ultramarine blue).

  • Helps establish contrast and form before applying full color.

  • Use watered-down acrylics to keep it light and fast-drying.


4. Blocking in Colors

  • Start with large shapes and general skin tones.

  • Use mid-tones first, then move to shadows and highlights.

  • Keep colors flat and general at this stage — don’t worry about details yet.

  • Work “fat over lean” — thicker paint layers on top of thinner ones.


5. Layering & Refining

  • Add more precise shading and adjust color temperature.

  • Work on transitions between light and dark areas.

  • Define features like eyes, lips, and hair with more detail.

  • Use glazing (thin transparent layers) to adjust tones and depth.


6. Details & Texture

  • Use small brushes for fine lines and highlights (eye glints, hair strands, etc.).

  • Add texture where needed (e.g., rough brush strokes for expressive hair).

  • Constantly step back to assess composition and likeness.


7. Finishing Touches

  • Adjust contrast and edge sharpness for focus.

  • Balance color harmony across the painting.

  • Sign your work in an unobtrusive corner.


8. Sealing (Optional)

  • Once completely dry (usually 1–2 days), you can apply:

  • Acrylic varnish (glossy, matte, or satin) to protect and unify the surface.
  • Use a soft brush or spray for an even coat.

Tips:

  • Work fast: Acrylic dries quickly, so blending must be done efficiently.

  • Use mediums: Retarders or slow-drying mediums can help with blending.

  • Clean brushes frequently: Acrylic can harden on brushes fast.

  • Practice: Skin tones and likeness take practice—use value studies or monochrome portraits to build skill.